Tag: Anchorage

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Sedna with Two Part Glaze

Inuit goddess of the sea, Sedna

Sedna, collagraph print on Cook Inlet clay, double glaze application, 8″ x 8″, $145

The summer selling season is finally over! I was selling tiles at the outdoor Anchorage weekend market, inside the Anchorage Museum, outside at the Alaska Native Heritage Center, and at other arts and crafts fairs. There wasn’t time to keep up the posts here at this WordPress blog. In April, me and my girlfriend used airline miles to go to Portugal to visit the largest tile museum in the world in Lisbon, and we added a side trip to Barcelona to look at Gaudi stuff. Prices were very reasonble, outside of the big cities, I don’t think we spent more than $50 a night for hotels. Portugal is nearly covered in tiles! Since coming back, I’ve been searching for decent coffee, because the small cups of coffee that the Portugese make is the best coffee that I have ever tasted. Doppio is the closest that I’ve come to a decent cup here in Anchorage. There was about eight-feet of snow on the ground in Anchorage when we left and it was all gone when we got back.

Anyway, The Sedna tile has an undercoat of two different strontium carbonate glazes covered with my regular glazes, so that the result is a reduction fired surface, but fired in an electric kiln. Ceramics Monthly had an article by Steven Hill early this year describing the process. I like it. I went to a NCECA (National Council of Educators in Ceramic Arts…I think) conference in April in Seattle and saw some bowls with the glaze treatment by Mr. Hill and they were cool.

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Fur Rondy

Fur Rondy 2012
Rondy Queen (daughter of old friend)

Fur Rondy native arts and crafts market in Dimond Mall, Anchorage Alaska 2012. Ran into old friend from the 1970’s and her daughter, who is this years Rondy Queen! Small world. I will update this post with her name as soon as I talk to her mother. Meant to post this in March. And I had good sales too. Fur Rondezvous is a ten day event in Anchorage at the end of February and beginning of March where people can get out and do stuff. The 1000 mile Iditarod sled dog race starts at this time downtown. My favorite event is the running of the reindeer, which is sort of like running of the bulls, but no one gets gored.

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Tundra Swan

Tundra Swan, Six-Inch Sq.

Tundra Swan, $75
Some years, while migrating, a pair of tundra swans stop over at the lake where I walk our dog near the university and native hospital. They are huge and the other smaller ducks like to hang around them since the swans dig up quite a bit of stuff from the lake bottoms. It almost looks like paparazzi around beautiful celebrities. The same lake is frozen right now and last week there were nine moose scattered around the trails. Had to make detours. Even our huge american bulldog is wary of the moose since he took a couple of stomps while protecting my girlfriend from an irrate moose at another park.

The tundra swan is the third new tile design that I recently made for the upcoming Fur Rondy festival that starts next week. They will also be in Octopus Ink downtown for a March Show.

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Six-Inch Multiglaze Raven


Six-Inch Multiglazed, Collagraph Printed Raven, $75

Photos of a raven collagraph plate, two raven tiles, and the back side of one of the tiles. On the “back side” photo, you can see my name at the top, and underneath is “Silver Hand Artist”, which means I’m registered with the state of Alaska as an Alaskan Native Artist. The tile was printed on January 17, 2012. The five stamps are decoration, but a couple hundred years from now, people will think it’s some kind of code. “Cook Inlet Glacier Clay” means that the main clay in the tile body is from the mud flats next to Anchorage, Alaska. “Vitrified” means that it is fused and has less than 1/2 percent water absorbtion, so it is similar to porcelain in that respect.

I like doing different color combinations; though some designs will settle down in one or two versions over time. I mixed a new glaze called “floating green” that is used for the bottom ground in one of the tiles. I like developing new glazes. I mix my own, usually from recipes in books or on-line. Some glazes need a bit of tweaking before they work on the local clay.

The collagraph plate that was used to print the raven tile is made of 140 lb. etching paper and matte board. It is coated with gesso and acrylic matte medium.

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Twelve-Inch Plaster Mold Tiles


This is part of the studio space where I make tiles. I’m currently working on a large mural that has nineteen twelve-inch tiles and fifty-one four-inch plant impressions. I make the original and then cast a plaster mold of the tile. Wire racks are for making sure the tile dries from both sides. My Cook Inlet clay body works great for tiles. Even the large tiles hardly warp at all. Noticable on one tile is a raven and on another is a tree. It’s great to do some relief tiles every once in a while. The molds weigh about forty pounds each.

It has snowed a couple of feet in the last few days and has been below zero every day for more than two weeks now.

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Three Hares

Three Hares
Three Hares

Three Hares, six-inch, $75
Cook Inlet glacial clay art tile with collagraph printed hares in x-ray style of coastal Inuqiaq. Three hares, three ears, yet each hare has two ears! A while back I made a large woodcut (about 3-1/2′ x 5′ – playing card aspect) using a sheet of plywood that required a steamroller to print an image of three hares similar to this tile, and titled the Three of Hares. It was the third steamroller print event put on in Anchorage. The idea for the three hares came about as a piece in a local group show with a theme about St. Francis and a hare that leads other animals to their respective heavens (put together by James Riordan, an assistant professor at the University of Alaska, Anchorage). The image of three hares was in some medieval monastaries and represented the trinity, but of course, the original design is much older, Etruscan, and historians don’t know what significance it had. Someone referred to the tile as the three rabbi’s.

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Caribou

Caribou

X-ray Caribou
Caribou

Six-Inch Caribou, $75
Collagraph print on clay tile body made from local glacial mud flats. The x-ray style, the depiction of the insides such as the ribs and stomach, is common to the coastal native Alaskans such as the Yupiq and Inupiaq (Eskimos). The big dipper to the polar Inupiaq represents a herd of caribou. The polar star that people in lower latitudes refer to as the north star is not used for directions in the arctic because it is over head and unmoving and doesn’t help in determining directions. I’ve seen caribou carcasses in yards in Point Hope, my mother’s village. They were frozen and being eaten by dogs – a kind of old school dog food.

The two newer glaze colors used on this tile are nutmeg for the background and tenmoko gold used for the body. I mix my own glazes and these two were made at the same time, and each glaze, when wet looks like the other glaze’s fired color. It was confusing. This one potter at a craft show asked if I was a “purist” when I told him about making my own clay and mixing my own glazes. I do it because people like that the materials are local and the imagery is a contemporary take on traditional designs. Also, now that I know that hand built, pit fired ceramics were made in my ancestral area of Northwest Alaska for thousands of years, I will someday, test some of that areas clay for use in my tile work.

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Horizontal Pictogram: Seal, Fox, Caribou

Seal, Fox, Caribou
Horizontal Pictogram: Seal, Fox, Caribou
6″ x 6″ x 3/8″, $65
Copper plate engraving, printed on slipped glacial clay, mason stains, cone 6 oxidation.

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Revised Fox & Hare

Fox & Hare, or why night follows day
Fox & Hare, 6″ x 6″ x 3/8″, $75
One villages tale of why night follows day. The fox is the moon and the hare is the sun and they are in this continuous chase through the sky, and that is why night follows day. This is a revision of an earlier design which had the hare sort of upside down. The collagraph plate was about seven years old and wearing out, so it was a good time to make a new printing plate with a slightly different layout. The xray style is indiginous to the coastal areas of Alaska.

The red is new, it is a majolica base with red stain and without the opacifier. Also new is the temuko gold for the background. The clay is from the mudflats next to Anchorage, Alaska.

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Object Runway 2011 Anchorage Alaska

Paper Coat for 2011 Object Runway, Anchorage, Alaska
People's Choice Award for 2011 Object Runway, Anchorage, Alaska

(Photo by Mike Conte) Here’s the back of the paper coat. The seals on the upper back are cut outs that are gesso-ed on to the etching paper. The x-ray style of showing parts of the inside like the ribs and stomach is common in Alaska coastal areas where wood food bowls and drum skins were decorated with these types of images. Most of my time is taken up making art tiles with the local clay from the glacial mudflats and it was fun to make something different.

A model wearing the coat was posted a couple of weeks ago. She did a fantastic job of selling it to the audience.