Making some 4″ x 6″ book covers from the glacial clay from the Anchorage mudflats. Its a work in progress. Used coptic stitching so the book lays flat. The paper is 140 lb. cotton rag water color paper.
Working on some nice plant impressions and should have them online soon.
Made ten nice 4″ daisy impression tiles with several different background glazes and added them to the online store. Alaska has its own wild daisy variety. I’m waiting for the fireweed to blossom out so I can make some tile impressions of them too.
I’ve started to add 4″ plant impressions to the online store. Here is a dogwood blossom with leaves. More will be posted over the coming weeks.
Finally getting around to stringing pendants with a 2mm leather lace. A couple of batches have been sent to two art gift shops here in Alaska, Octopus Ink in Anchorage, and Bunnell Street Gallery in Homer. Each pendant is 1-1/2″ square and made from the glacial clay from the Anchorage mudflats.
Decided to make some pendants with more than one glaze color. These pendants were made with small matte board plates, similar to how I make tiles. Before, pendants were made with clay stamps. Four sets of these will be made with four different background colors. My personal favorite would be the coffee cup.
Finally moved over to an online store format, though the blog posts are still part of the store.
I Made all the tiles for this fireplace, the art tiles and the field tiles. It looks awesome! The size of the field tiles are 2″x 2″, 2″x 4″, 4″x 4″, 4″x 6″, 6″x 6″, and 4″x 8″. There are four different glazes. I used the clay from the mudflats next to Anchorage to make a good tile clay body.
This is one of several new designs for this summer season.
I like the eyes of the otter, so the new seal and fox designs might be reworked to have similar eyes. The x-ray style, common among the Alaskan Coastal peoples, is hinted at with the inclusion of the red ribs
This is what the paper cut outs look like before the pieces are separated and glued onto a matte board plate. The plate is impressed into clay to make the tiles.
This tile is one of three card tiles made for an upcoming May show at the Anchorage Humanities Forum. There will also be about twenty 12″ x 12″ tiles, every 12″ tile that I have designed and made, in the show. I’m about 3/4’s done.
It has been over a year since I last added a post to this tile blog/website. I blame Facebook. The Anchorage Native Heritage Center helped a group of us start Etsy stores connected to Facebook, and we all got caught up in the never ending connectedness of Facebook. Nothing is for sell in the Etsy store…yet.
I will be selling at the Denver March Powwow from March 25-26. Then I’m attending a ceramics event in London, the Ceramics Art of London, March 31-April 2. Since I’m there, I’ll throw in a extra few days to sight see.
This is the tile wall behind a wood stove that an acquaintance installed in his house. I also made the field tiles surrounding the art tiles. It will be featured in the next quarterly issue of Alaska Home magazine. The nice speckled brown field tiles are all the same glaze, so the difference in appearance is due to the placement in the kiln. An enlarged drawing of the entire area was provided so that plate/stencils could easily be made, especially for the odd shaped tiles, near the top. All the tiles are made from the local clay from the Anchorage mud flats, a part of the Boot Legger Clay formation, and they are stamped on the back with “Cook Inlet Glacial Clay”.
The Fur Rondy sales begin tomorrow at the Dimond Mall (in Anchorage) and I will be heading to the Heard Museum in Phoenix, Arizona for the Indian Art Market on Thursday.