Berry Picking in Alaska. A favorite pasttime for many. The birchbark baskets are in a style found in the Northwest around the Kotzebue sound area.
Adding a bit of folk lore to the tile, on the upper part are the hare as the sun and the fox as the moon, and they are in an ongoing chase. That is why night follows day.
I got invited to the Best of the Northwest Art and Fine Craft Show in Seattle on March 23 & 24. Fun. The economy is on the mend and I did well in Seattle at a tile show last Fall, so I thought I’d try some other shows in the lower 48 (what people in Alaska call the rest of the U.S., except Hawaii.)
Three Hares, six-inch, $75
Cook Inlet glacial clay art tile with collagraph printed hares in x-ray style of coastal Inuqiaq. Three hares, three ears, yet each hare has two ears! A while back I made a large woodcut (about 3-1/2′ x 5′ – playing card aspect) using a sheet of plywood that required a steamroller to print an image of three hares similar to this tile, and titled the Three of Hares. It was the third steamroller print event put on in Anchorage. The idea for the three hares came about as a piece in a local group show with a theme about St. Francis and a hare that leads other animals to their respective heavens (put together by James Riordan, an assistant professor at the University of Alaska, Anchorage). The image of three hares was in some medieval monastaries and represented the trinity, but of course, the original design is much older, Etruscan, and historians don’t know what significance it had. Someone referred to the tile as the three rabbi’s.
Fox & Hare, 6″ x 6″ x 3/8″, $75
One villages tale of why night follows day. The fox is the moon and the hare is the sun and they are in this continuous chase through the sky, and that is why night follows day. This is a revision of an earlier design which had the hare sort of upside down. The collagraph plate was about seven years old and wearing out, so it was a good time to make a new printing plate with a slightly different layout. The xray style is indiginous to the coastal areas of Alaska.
The red is new, it is a majolica base with red stain and without the opacifier. Also new is the temuko gold for the background. The clay is from the mudflats next to Anchorage, Alaska.
6″ x 6″ x 3/8″ multiglazed, Cook Inlet glacial clay, cone six oxidation. Caribbean sea green background. This is one village’s tale of why night follows day. The fox is the moon and the hare is the sun and they are in this continuous chase through the sky, so that is why night follows day. Done in the x-ray style common on the coast of western and northern Alaska.