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Sedna with Two Part Glaze

Inuit goddess of the sea, Sedna

Sedna, collagraph print on Cook Inlet clay, double glaze application, 8″ x 8″, $145

The summer selling season is finally over! I was selling tiles at the outdoor Anchorage weekend market, inside the Anchorage Museum, outside at the Alaska Native Heritage Center, and at other arts and crafts fairs. There wasn’t time to keep up the posts here at this WordPress blog. In April, me and my girlfriend used airline miles to go to Portugal to visit the largest tile museum in the world in Lisbon, and we added a side trip to Barcelona to look at Gaudi stuff. Prices were very reasonble, outside of the big cities, I don’t think we spent more than $50 a night for hotels. Portugal is nearly covered in tiles! Since coming back, I’ve been searching for decent coffee, because the small cups of coffee that the Portugese make is the best coffee that I have ever tasted. Doppio is the closest that I’ve come to a decent cup here in Anchorage. There was about eight-feet of snow on the ground in Anchorage when we left and it was all gone when we got back.

Anyway, The Sedna tile has an undercoat of two different strontium carbonate glazes covered with my regular glazes, so that the result is a reduction fired surface, but fired in an electric kiln. Ceramics Monthly had an article by Steven Hill early this year describing the process. I like it. I went to a NCECA (National Council of Educators in Ceramic Arts…I think) conference in April in Seattle and saw some bowls with the glaze treatment by Mr. Hill and they were cool.

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