Tag: art tile

Posted on by — 1 Comment

Berry Picking

Berry Picking
Picking Blue Berries

Twelve-inch Tile, $350, Collagraph impression on Cook Inlet Glacier Clay, multiglazed, Cone 6 oxidation.

Berry Picking in Alaska. A favorite pasttime for many. The birchbark baskets are in a style found in the Northwest around the Kotzebue sound area.

Adding a bit of folk lore to the tile, on the upper part are the hare as the sun and the fox as the moon, and they are in an ongoing chase. That is why night follows day.

I got invited to the Best of the Northwest Art and Fine Craft Show in Seattle on March 23 & 24. Fun. The economy is on the mend and I did well in Seattle at a tile show last Fall, so I thought I’d try some other shows in the lower 48 (what people in Alaska call the rest of the U.S., except Hawaii.)

Posted on by — 2 Comments

Cut Out For Collagraph Plate

Cut Out Process
Cut Out Process

The last few posts had blurry pictures. I cleaned the lens on the iphone and this picture looks better. Anyway, This is a partial cut out of the 140 lb. cotton rag paper that will be used to make a plate. A collagraph plate is a printmaking term for a process where you just glue stuff to a stiff surface and then use it as a plate. I use a light table to transfer the initial drawing onto the 140 lb paper and then to cut the images out. Notice the “Arches Huile France” water mark on the lower left side of the paper. The plate is thirteen-inches square so that the final fired size of the tile will be twelve-inches after shrinkage. The fish with the zigzags are chum salmon, the fish below are white fish. The smaller caribou make up the upper edge of a birch bark basket.

I can’t complain about 2012! I love to travel and got to go a lot of places. Went to Chicago, Fairbanks, and Seattle for tile related shows. Then Seattle again for a ceramics conference. I Went once again to the Shakespeare Festival in Ashland Oregon for an end-of-season vacation. And the big one was when me and my sweetheart went to Spain and Portugal.

Tile sales slacked a bit compared to 2011, but I had two winter commissions that more than made up for sagging sales. As a side note to running an art business, I attended a workshop on how to do better on the business side of art, like pricing work, and projecting a friendlier, attentive demeanor when selling at arts & crafts fairs. It was put together for Alaskan Native artists by the First Peoples Fund; they help out indiginous artists internationally when it comes to the business aspect of living the life of an artist.

Posted on by — 1 Comment

More 12″ Designs for NANA Building

12" Tiles
12″ Tiles

NanaTile3asmall

NanaTile3bsmall

Three more 12″ Tiles for an Alaskan Native Corporation Building. It takes a couple of weeks to get the design drawn, cut, glued, pressed into clay, bisqued, waxed, glazed, and glaze fired. Two more tiles are drying on wire racks and two more designs are ready to print. I’ve been reading up on myths and folk tales from the Northwest area of Alaska, and there is quite a bit out there.

Been thinking of arts & crafts shows outside of Alaska to attend in 2013. Applied to NorthWest Art Alliance show in Seattle March 23 & 24, Old Towne in Chicago June 8 & 9, and the Moravian Tile Festival north of Philadelphia in late May. The only show that I’m sure of is the 57th Street Fare in Chicago June 1 & 2, since they allow an artist to attend for four years once you are accepted, and this will be my fourth year there. The 57th Street Fare is in Obama’s old neighborhood. Cool, eh?

Posted on by — Leave a comment

Twelve-Inch Tile for NANA Building

Tile for Elevator Lobby in Nana Building
Tile for Elevator Lobby in Nana Building

The tile clay body that I developed from the mudflats glacial clay works well for large size tiles. This tile design is one of fourteen that the NANA native corporation commissioned for the elevator lobbies of their new six-story digs in downtown Anchorage. They want original designs and they don’t mind that I will make more tiles later of the designs made for them. After all, I am a printmaker, and we do make multiples. They don’t have to worry about seeing the designs too often because I don’t sell too many of the larger sizes. They cost a lot. A twelve-inch multiglazed tile costs $350. Of course, they paid a bit more since it is a custom order.

I used a circular pattern of caribou around a few figures in the center. Imagery from Western Alaskan coastal areas often use a circular design since they are drawn usually on a skin drum or in a oval type wood food serving container. One old artist says that for larger figures, an x-ray style of depicting the insides of the animals helps add interest to the drawings.

Posted on by — Leave a comment

Artisan Tile NW show at University of Washington Center for Urban Horticulture

Fireweed Plant Impression
Fireweed Plant Impression

Thess two 4″x 6″ fireweed plant impressions were made for the Seattle tile show held on November 3. I made a lot of plant and flower impressions given that the event theme was plant related, but more of my figurative designs sold than plant impressions. Sales were much better than last year. I experimented with applying glaze up to the edge of the plant and leaving the flower and leaves bare.

We stayed at my girlfriend’s sister’s place about 3-4 miles away from the UW campus. The trees still had leaves, not like here in Anchorage where every tree is bare now, and the colors were awesome. Went to the King Tut exhibit near the space needle, and that was cool. I had seen the original solid gold coffin in Egypt when I was a youngster travelling with my Dad who developed water resources wherever water was needed.

Since I mentioned my Dad, we are going to do the Camino De Santiago next April. It is a 500 mile hike across northern Spain, a route pilgrims have followed for about 1200 years. He is 82 years old but still in great shape. We hiked 26 miles on the Crow Creek Pass trail near Anchorage, through the mountains and next to a glacier when he as 79, and I could barely keep up with him.

Posted on by — Leave a comment

Salmon

Double Salmon
Salmon

Six-inch Double Salmon, $85
Collagraph print on Cook Inlet clay, cone 6 oxidation
Multiglazed with background of Tenmoko gold over a strontium carbonate base glaze.

Salmon fishing is a huge industry in Alaska as are other types of fishing. On researching the salmon, I found out that it is descended from European river trout. Cool. It looks like any other fish, silvery, at sea, but once it hits fresh water to spawn, it turns red, green, and it’s teeth get all snagly. My blood pressure was trending upward with age and my doctor recommended eating salmon once a week, and sure enough, by blood pressure went down. Now each summer we stock up on fresh salmon in the freezer to last through the winter. It’s cheaper to buy whole fish during the height of the season and have it cut up, filleted, and vacuum sealed in meal sized portions.

I read “Four Fish” by Paul Greenberg and worry about the fisheries. Today, I’m not against farm fishing because there are not enough wild fish to feed the world’s population. I’ve even taken a liking to tilapia, a fresh water vegetarian fish that’s been farmed since ancient Egyptian times. And it doesn’t require other fish to be used as feed as some of the other farmed fish do.

Posted on by — Leave a comment

Sedna with Two Part Glaze

Inuit goddess of the sea, Sedna

Sedna, collagraph print on Cook Inlet clay, double glaze application, 8″ x 8″, $145

The summer selling season is finally over! I was selling tiles at the outdoor Anchorage weekend market, inside the Anchorage Museum, outside at the Alaska Native Heritage Center, and at other arts and crafts fairs. There wasn’t time to keep up the posts here at this WordPress blog. In April, me and my girlfriend used airline miles to go to Portugal to visit the largest tile museum in the world in Lisbon, and we added a side trip to Barcelona to look at Gaudi stuff. Prices were very reasonble, outside of the big cities, I don’t think we spent more than $50 a night for hotels. Portugal is nearly covered in tiles! Since coming back, I’ve been searching for decent coffee, because the small cups of coffee that the Portugese make is the best coffee that I have ever tasted. Doppio is the closest that I’ve come to a decent cup here in Anchorage. There was about eight-feet of snow on the ground in Anchorage when we left and it was all gone when we got back.

Anyway, The Sedna tile has an undercoat of two different strontium carbonate glazes covered with my regular glazes, so that the result is a reduction fired surface, but fired in an electric kiln. Ceramics Monthly had an article by Steven Hill early this year describing the process. I like it. I went to a NCECA (National Council of Educators in Ceramic Arts…I think) conference in April in Seattle and saw some bowls with the glaze treatment by Mr. Hill and they were cool.

Posted on by — 3 Comments

Tundra Swan

Tundra Swan, Six-Inch Sq.

Tundra Swan, $75
Some years, while migrating, a pair of tundra swans stop over at the lake where I walk our dog near the university and native hospital. They are huge and the other smaller ducks like to hang around them since the swans dig up quite a bit of stuff from the lake bottoms. It almost looks like paparazzi around beautiful celebrities. The same lake is frozen right now and last week there were nine moose scattered around the trails. Had to make detours. Even our huge american bulldog is wary of the moose since he took a couple of stomps while protecting my girlfriend from an irrate moose at another park.

The tundra swan is the third new tile design that I recently made for the upcoming Fur Rondy festival that starts next week. They will also be in Octopus Ink downtown for a March Show.

Posted on by — Leave a comment

Bald Eagle

Bald eagle
Bald Eagle Art Tile

Bald Eagle, Six Sq. Inch, $75
Collagraph printed, multiglazed, cone 6 oxidation. Cook Inlet glacial clay.
I see a bald eagle about once a month. They like hanging out at small lakes where ducks are found. The lake inlets usually remain unfrozen but the area gets small and the concentration of ducks attracts predators. During salmon season, scores of bald eagles can be seen along some rivers.

Fur Rondy starts the end of this month. It’s a winter get together around the start of the Iditarod sled dog race. I like to have some new designs to sell, so the previous post’s raven, this post’s eagle, and next post’s tundra swan were made for the Rondy. One of the local malls hosts Alaska native artist from all over the state where all kinds of traditional and contempory native arts and crafts can be sold.

Posted on by — 3 Comments

Six-Inch Multiglaze Raven


Six-Inch Multiglazed, Collagraph Printed Raven, $75

Photos of a raven collagraph plate, two raven tiles, and the back side of one of the tiles. On the “back side” photo, you can see my name at the top, and underneath is “Silver Hand Artist”, which means I’m registered with the state of Alaska as an Alaskan Native Artist. The tile was printed on January 17, 2012. The five stamps are decoration, but a couple hundred years from now, people will think it’s some kind of code. “Cook Inlet Glacier Clay” means that the main clay in the tile body is from the mud flats next to Anchorage, Alaska. “Vitrified” means that it is fused and has less than 1/2 percent water absorbtion, so it is similar to porcelain in that respect.

I like doing different color combinations; though some designs will settle down in one or two versions over time. I mixed a new glaze called “floating green” that is used for the bottom ground in one of the tiles. I like developing new glazes. I mix my own, usually from recipes in books or on-line. Some glazes need a bit of tweaking before they work on the local clay.

The collagraph plate that was used to print the raven tile is made of 140 lb. etching paper and matte board. It is coated with gesso and acrylic matte medium.