Posted on 2 Comments

Nephew’s Tile and a Poem

Nephew Mark's Tile
Six-inch tile unfired, designed by nephew Mark
My Nephew Mark in Chicago designed this toucan bird tile. It’s his third design, the previous two were a cheeta and an american bison. During my arts and crafts shows he draws something and I make a tile from it. My next post will be of the glazed version.

I wrote a poem in response to Emily Dickenson’s “Slant of Light”. My dad was born in Amhearst Massachusetts and my aunt use to walk by Dickenson’s house. I didn’t know it, but after reading my grandfather’s family history, I found out I have some puritan blood mixed in with my native Alaskan blood. I’ll give her poem first than mine below it:

There’s a certain Slant of light
Winter Afternoons–
That oppresses, like the Heft
Of Cathedral Tunes–

Heavenly Hurt, it gives us–
We can find no scar,
But internal difference,
Where the Meanings, are–

None may teach it–Any–
‘Tis the Seal Despair–
An imperial affliction
Sent us of the Air–

When it comes, the Landscape listens–
Shadows–hold their breath–
When it goes, ’tis like the Distance
on the look of Death–

Now my version (reaction?)

When Emily spoke of light
of Amherst Winters
Our oppression would be twice
a New Englanders

Frontier frownies, we paste on–
With yes, frost bite black
By third degree down in depth,
Whence our undies, back–

Molly Hootch says teach it–
That our seals have hair–
And a bad sea food addiction
Stenching up the Air–

Only then, White Alice listened–
In shrouds of Moose breath–
Only now, ’tis the NSA
And we look like Meth–

Ok, I’m back in 4th grade, wanting to make people laugh. Anyway, for clarification, Molly Hootch brought a lawsuit against the state so that indigenous students wouldn’t have to leave their villages to go to school out of state. And “White Alice” was the name for the old northern radar stations that were part of the cold war.

Posted on Leave a comment

Dragonflies and Rose

Dragonflies and Rose
Dragonflies and Rose
Six-inch square collagraph print on Cook Inlet glacial clay, $75

This is one of my earlier designs and you can see it has a raised border around the edges because the plate itself is six-inches, so 3/8″ had to be added so that the finished fired size would be just under six-inches. Funny how you make tons of small mistakes that get corrected over time. New designs are put on a full 6-3/8″ square plate so trimming is quick and without measurements. This particular tile sold at the Alaska Federation of Natives (AFN) conference in Fairbanks last week.

I did well sales-wise and met a lot of people including ceramics professionals, though all non-native. The last traditional Alaskan native ceramics maker died in the 1880’s not to far from where many of my family have lived and died, in Northwest Alaska. The hand built, pit fired ceramics had been made in that area for about 5,000 years.

Posted on 1 Comment

Halibut Man

Halibutman
Shaman in His Animal Spirit Form
$75, Six-Inch Square, Multiglazed Tile

A shaman could take the form of his animal spirit, in this case, a halibut. Also, animals could take the form of humans, but they couldn’t speak. I don’t sell too many of this tile, for some reason people are uneasy with it. Doctors don’t mind it though, the medicine man part of the shaman they consider to be one of their own.

The background glaze is a caribbean sea green. It’s a nice pebbly variegated surface and color.

I will be in Fairbanks October 24-26 for the Alaska Federation of Natives (AFN) conference as a vendor. It is my best show of the year!

Posted on 1 Comment

Heart Shaped designs

Seals
Valentine Seals

Ravens
Valentine Ravens

Six-inch Square Tiles, Multiglazed, Cook Inlet Glacier Clay, $75 each

A former art student classmate, Shara Dorris, owns Octopus Ink (Octopusinkclothing.com), a really cool handmade useable art boutique store in Anchorage. She silk screens her own designs onto clothes and she has maybe a dozen other artists selling their handmade wares in her store. She asked her artists to make a valentine themed object for last February’s First Friday art walk, so I made these two designs for here store.

I’m taking off for Seattle this afternoon to be in the Artisan Tile of the Northwest show at the University of Washington’s Center for Urban Horticulture. The show is Friday from 3-8 pm and Saturday from 10 am to 5 pm. I want to ask other tile artists if they ever go out of the country to do shows, because I would like to go to London and visit the William Morris Museum. He was an early proponent of the arts and crafts movement.

I have to collect some Cook Inlet glacier clay before it gets too cold!

Posted on Leave a comment

Six-inch Halibut Tile

Green Halibut
Green Halibut
Grey Halibut
Grey Halibut
Spearment Halibut
Spearment Halibut
Collagraph Plate
Collagraph Plate

Three six-inch tiles and the collagraph plate. I like the spearment inside the halibut on the bottom left, but the best combination is the grey halibut on the upper left with the spearment as the water color. I also prefer a darker brown for the exterior of the fishing boat with a lighter brown interior.

Halibut can get too big to easily haul on board. A previous boss of mine caught a 295 lb. Halibut and the boat had to go to dock because they could not get the fish aboard. I just bought a 14-1/2 lb. halibut from the local fish market and had it cut into 1-1/2 lb. vacuum sealed packets for a several gourmet meals.

I bought the halibut mainly for the skin which I plan to use on a coat for a fashion show next January. I tried the old Inuit way of processing fish skins by soaking the skin in day old urine. The urine breaks down into ammonia that tans the skin, but the skin still smells strongly of fish! So I used a process that I learn this summer from a fellow artist at the Alaska Native Heritage Center. The skin is soaked in a solution of half rubbing alcohol and half gliserine for three days and then in dishsoap for three more days. It really does cut down the odor but not completely.

I will be in Seattle October 4 & 5 at the Artisan Tile of the Northwest tile show at the University of Washington Center for Urban Horticulture.

Posted on 4 Comments

Stamps and Back of Tile

Stamps8-21-13
Stamps used to impress images into the back of the tile.

Back8-22-13-1
Back of the tile:
Mighell
Silver Hand Artist
Aug 14 2013
“Stamps: swan/fish, fish, star, fish, and fox”
Cook Inlet Glacier Clay
Alaska
Vitrified

The “Silver Hand Artist” means I’m registered with the state of Alaska as a aboriginal artist. Vitrified means the tile won’t absorb water and the tile is good for wet or outdoor use if a person wanted to use the tile in a shower stall or outside in a garden. My last name is pronounced “mile” as the “igh” rule makes the “gh” part silent; it’s old English and back then the language was more gutteral and it sounded more like Michael and is actually a variation of that name when applied to the arch-angel. I make my own tile clay body and the major component comes from the mud flats next to Anchorage. The material is the surrounding mountains that were ground up by the glaciers.

Made new halibut and gingko leaf plates and will post the resulting tiles next week.

Posted on Leave a comment

Four-inch Leaf Impressions

Leaf Impression Art Tiles
Willow, Heath, Alder, Birch, and Aspen

Array of four-inch leaf impressions, $30 each
The names listed under the images go clockwise starting at the upper left.

It was a very wet rainy weekend at the Anchorage Market yet sales were better than the week before. You can never tell specifically which weekends will be good, but generally, July is better than either June or August and those two months are better than May and September.

I got my ticket to Seattle for the October 4 & 5 “Artisan Tile of the Northwest” show in Seattle at the University of Washington Horticultural Center. One would think that plants would do well there, but in my case, the native Alaska themed designs do better. Fortunately, I can stay at a sister-in-law’s house near the University. Every little bit helps in keeping the expenses down.

I am in a print exchange with other printmakers from nine other countries that are part of the migratory route of shorebirds that migrate back and forth between Alaska and New Zealand. Some of the prints will actually go, as is, through the mail so they can show some wear and tear of a similar journey as the birds. It’s nice to get involved with a printmaking project, especially when most of my time is taken up by the tile business. Though technically, my tiles are hand pulled prints that happen to be on clay instead of paper.

Posted on 1 Comment

Seven Multiglazed Tiles

Curlew
Curlew
Three Hares
Three Hares
Blue Heron
Blue Heron
Mammoth
Mammoth
Owls
Owls
Polarbear & Seal
Polarbear & Seal
Three Wolves
Three Wolves

Six-inch square art tiles, multiglazed, $75 each, Cook Inlet glacial clay

The new scanner is up and running. Thought I’d try posting a few images at one time and in a larger image size since internet access is getting faster. All these tiles were run through the etching press on July 23 and fired on July 31. All were tiles that were sold out at my vendors booth at the weekend market in Anchorage. And since making these tiles, other designs have sold out. It is near impossible to keep up during the height of the season!

I was at the Alaska Native Heritage Center yesterday and a large bull moose got into the grounds even though the area is fenced off. It stayed in the shallow lake in the center of the culture walk and put on quite a show for hundreds of visitors that lined the shores taking pictures.

Posted on 2 Comments

Fireweed Plant Impression

Fireweed Crystal Glaze
Fireweed Crystal Glaze

Array of Four-Inch Flowers & Leaves
Array of Four-Inch Flowers & Leaves

Fired off another load of plant impressions. Made several of the fireweed flower impressions since a lot of people love them and they are all over in Alaska.

Started selling art tiles at the ANHC, Alaska Native Heritage Center, again last week and this week. ANHC had a Monday work shop on how to process salmon skin for baskets and rain coats. It was so cool but the parts thrown away were stinking up the place near the dumpsters yesterday and today. The lady next to me had some mammoth ivory jewelry. How often does one see mammoth ivory jewelry?

It has gotten into the 80’s several times this summer in Anchorage. I’ve lived in Anchorage since 1980 and I can’t remember it ever getting into the 80’s. Heck, we are lucky if it gets into the 60’s, which for some summers is rare. But there you have it, by my count, we have had six 80 degree days. I just may be able to plant that ginkgo tree that I’ve been dreaming about.

Posted on 1 Comment

Turquoise Crystaline Glaze Plant Impressions

Plant impression & crystalline glaze
Plant Impression Tiles

Array of four-inch plant impressions, $30 each.

The phote is from an iphone since my scanner is kaput. It’s hard to take a decent photo of a glossy surface. Three of the tiles have a ginkgo leaf. Anchorage has one ginkgo tree and it is inside at the University since it is too cold for them here. I picked up a few ginkgo leaves at the Chicago Botanic garden after a few leaves fell from a tree after a rain. Half of the tiles are sold already, and they just came out of the kiln last Thursday. I will print flower impressions tomorrow in the four, six, and eight-inch sizes. I will do some Fireweed, wild geranium, Sitka rose, and dogwood for this next week.

I’m at the mid way point of my ninth season at Anchorage weekend market, and it has slowed down sales-wise, but on-line sales have sort of picked up the slack. I think it has something to do with people now buying more on the web, so other places that people use to spend is loosing some of its volume.

The Alaska Native Heritage Center will carry my art tiles again starting this week.