Plate used to print wolves tile constructed of matte board and 140 lb. cotton rag etching paper. Glued together with gesso and coated with acrylic medium. The plate is good for 100 or so printings. The tiles I print with the plate are therefore a limited edition, handpulled print, but without numbering, and of course on clay instead of paper. They are more valuable than any machine made, mass produced pseudo art tile. The etching paper is the negative space on the plate and the recessed line on the plate creates a raised, printed black line on the clay. I wax the black line and that keeps the different glazes separate in the final firing. The constant wiping with the tarleton cloth slowly wears away the acrylic medium and eventually the gesso. You can see the greying of the edges and smaller areas where the ink is starting to stain the underlying paper. This six-inch design has more color glazes than other designs, it can have ten or more glazes.
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4″ Moose
Four Moose, each 4″ x 4″ x 0.4″
X-ray style moose
$35 each
Object Runway 2011 Anchorage Alaska
(Photo by Mike Conte) Here’s the back of the paper coat. The seals on the upper back are cut outs that are gesso-ed on to the etching paper. The x-ray style of showing parts of the inside like the ribs and stomach is common in Alaska coastal areas where wood food bowls and drum skins were decorated with these types of images. Most of my time is taken up making art tiles with the local clay from the glacial mudflats and it was fun to make something different.
A model wearing the coat was posted a couple of weeks ago. She did a fantastic job of selling it to the audience.
6″ Copper Plate Etching on Clay
Tile on the left and copper plate etching/engraving on the right. Click on the copper plate image to see a better quality scan.
The copper plate is an engraving that is used to print onto the clay. I have a large etching press that I use to print on the clay like if it were paper. I don’t have a problem with the clay curling during firing since I make my own clay body and have added stuff to the clay body to counter the tendence of flat tiles to warp and crack.
The image on the right of the tile is a white whale, the center is a half man half seal, and on the left is a swan turning into a salmon. The three are samples of Alaska native art that were once drawn on the bottom of wood food bowls or on skins.
Object Runway 2011, Anchorage, Alaska
What can I say. I got People’s Choice Award for my coat construction in this years Object Runway show. I can’t make tiles all the time. It was nice to do something a bit different while the tile business is slow during the winter. I cut out small animal designs and lined the bottom edge, like the way old time parkas had your area or family designs along the bottom. The coat is made from etching paper, 140 lb cotton paper, sewn together from a design that I got at a Joann store, a former project runway design. The paper is coated with gesso, acrylic medium, and inked in burnt umber, with most of the color wiped off to give it some surface texture. The buttons are made from the local glacial clay from the inlet and fired like two days before the show and quickly sewn on. It was a fun night. My model, Moriah Walker, was beautiful and helped sell the design. I’ll post a picture of the backside when I can, it has a x-ray style, double seal cut out in red.