Three six-inch tiles and the collagraph plate. I like the spearment inside the halibut on the bottom left, but the best combination is the grey halibut on the upper left with the spearment as the water color. I also prefer a darker brown for the exterior of the fishing boat with a lighter brown interior.
Halibut can get too big to easily haul on board. A previous boss of mine caught a 295 lb. Halibut and the boat had to go to dock because they could not get the fish aboard. I just bought a 14-1/2 lb. halibut from the local fish market and had it cut into 1-1/2 lb. vacuum sealed packets for a several gourmet meals.
I bought the halibut mainly for the skin which I plan to use on a coat for a fashion show next January. I tried the old Inuit way of processing fish skins by soaking the skin in day old urine. The urine breaks down into ammonia that tans the skin, but the skin still smells strongly of fish! So I used a process that I learn this summer from a fellow artist at the Alaska Native Heritage Center. The skin is soaked in a solution of half rubbing alcohol and half gliserine for three days and then in dishsoap for three more days. It really does cut down the odor but not completely.
I will be in Seattle October 4 & 5 at the Artisan Tile of the Northwest tile show at the University of Washington Center for Urban Horticulture.
Stamps used to impress images into the back of the tile.
Back of the tile:
Silver Hand Artist
Aug 14 2013
“Stamps: swan/fish, fish, star, fish, and fox”
Cook Inlet Glacier Clay
The “Silver Hand Artist” means I’m registered with the state of Alaska as a aboriginal artist. Vitrified means the tile won’t absorb water and the tile is good for wet or outdoor use if a person wanted to use the tile in a shower stall or outside in a garden. My last name is pronounced “mile” as the “igh” rule makes the “gh” part silent; it’s old English and back then the language was more gutteral and it sounded more like Michael and is actually a variation of that name when applied to the arch-angel. I make my own tile clay body and the major component comes from the mud flats next to Anchorage. The material is the surrounding mountains that were ground up by the glaciers.
Made new halibut and gingko leaf plates and will post the resulting tiles next week.
The new scanner is up and running. Thought I’d try posting a few images at one time and in a larger image size since internet access is getting faster. All these tiles were run through the etching press on July 23 and fired on July 31. All were tiles that were sold out at my vendors booth at the weekend market in Anchorage. And since making these tiles, other designs have sold out. It is near impossible to keep up during the height of the season!
I was at the Alaska Native Heritage Center yesterday and a large bull moose got into the grounds even though the area is fenced off. It stayed in the shallow lake in the center of the culture walk and put on quite a show for hundreds of visitors that lined the shores taking pictures.
The phote is from an iphone since my scanner is kaput. It’s hard to take a decent photo of a glossy surface. Three of the tiles have a ginkgo leaf. Anchorage has one ginkgo tree and it is inside at the University since it is too cold for them here. I picked up a few ginkgo leaves at the Chicago Botanic garden after a few leaves fell from a tree after a rain. Half of the tiles are sold already, and they just came out of the kiln last Thursday. I will print flower impressions tomorrow in the four, six, and eight-inch sizes. I will do some Fireweed, wild geranium, Sitka rose, and dogwood for this next week.
I’m at the mid way point of my ninth season at Anchorage weekend market, and it has slowed down sales-wise, but on-line sales have sort of picked up the slack. I think it has something to do with people now buying more on the web, so other places that people use to spend is loosing some of its volume.
The Alaska Native Heritage Center will carry my art tiles again starting this week.
Six-inch square, $85 for the red sky and $75 for the blue sky. The higher price tiles are a two part glaze process and take more time to make. A friend bought a lot of tiles, including field tiles, from me for a backing to a wood stove and asked if I could design and make a mammoth tile for his son who loves mammoths.
I’m reading “Ginkgo” by Peter Crane and plan to make a ginkgo leaf tile next. Ginkgo leaves are a popular item with the Arts and Crafts movement and will go nicely with a bungalow home. I didn’t know the tree has been around for over 250 million years. Wow. I picked up the book at the Chicago Botanic Garden along with a membership that has already paid for itself. Last year I got “Founding Garderners” by Andrea Wulf from the same gift shop. It’s cool to know that the founders of our country were big into gardening.
Had to post one picture from our trek across Northern Spain.
Now back to tile stuff. Sold tiles at the Moravian Tile Festival May 18 & 19 in Doylestown, Pennsylvania, and then at the 57th Street Fair June 1 & 2 in Chicago. I will be in the Gold Coast arts & crafts fare in Chicago June 29 & 30. Made a new mammoth tile design which I’ll post next. Sold three 12″ tiles to the Alaska State Council of the Arts for their art lending library (don’t know what else to call it). My inventory is getting low, I can’t keep up, and now I have several orders for groups of tiles. I plan to post a tile related item at least once a week.
Click on the picture to see a larger image.
12″ x 12″ x 0.7″ Multiglazed tile, Cook Inlet glacier clay, cone 6 oxidation
The fish in the center are dolly varden, arctic char, and pike. This tile was the last one of thirteen that I made for NANA Development Corp. and it is outside the elevators on the basement floor. I got a ton of compliments from people that have walked through the building just to look at the art tiles. Had some interesting comments the last time I posted the cut-out that went into making the plate that is impressed into the clay slab, so I decided to add another post but along side the tile that it made. I usually sell my art tiles during the summer, but the winter commissions have been picking up, so I don’t starve during the winters anymore.
A lot of the old art work along the west and north coasts of Alaska had a sort of circular aspect to it because it would fit onto a drum skin or inside a wood food bowl. I used the circular motif on several of the tiles for NANA and on the tile above. The x-ray view of the caribou and the seal is also a style common in the area.
This isn’t tile related but I feel like writing something about native Alaskans. During the superbowl, a local commercial came on saying how over a thousand students have benefitted from the ANSEP (Alaska Native Science and Engineering Program), a part of the University of Alaska system. It made me feel good. I was just the third native Alaskan to graduate from the Anchorage civil engineering program way back in the day, and now it is more common.
Berry Picking in Alaska. A favorite pasttime for many. The birchbark baskets are in a style found in the Northwest around the Kotzebue sound area.
Adding a bit of folk lore to the tile, on the upper part are the hare as the sun and the fox as the moon, and they are in an ongoing chase. That is why night follows day.
I got invited to the Best of the Northwest Art and Fine Craft Show in Seattle on March 23 & 24. Fun. The economy is on the mend and I did well in Seattle at a tile show last Fall, so I thought I’d try some other shows in the lower 48 (what people in Alaska call the rest of the U.S., except Hawaii.)
The last few posts had blurry pictures. I cleaned the lens on the iphone and this picture looks better. Anyway, This is a partial cut out of the 140 lb. cotton rag paper that will be used to make a plate. A collagraph plate is a printmaking term for a process where you just glue stuff to a stiff surface and then use it as a plate. I use a light table to transfer the initial drawing onto the 140 lb paper and then to cut the images out. Notice the “Arches Huile France” water mark on the lower left side of the paper. The plate is thirteen-inches square so that the final fired size of the tile will be twelve-inches after shrinkage. The fish with the zigzags are chum salmon, the fish below are white fish. The smaller caribou make up the upper edge of a birch bark basket.
I can’t complain about 2012! I love to travel and got to go a lot of places. Went to Chicago, Fairbanks, and Seattle for tile related shows. Then Seattle again for a ceramics conference. I Went once again to the Shakespeare Festival in Ashland Oregon for an end-of-season vacation. And the big one was when me and my sweetheart went to Spain and Portugal.
Tile sales slacked a bit compared to 2011, but I had two winter commissions that more than made up for sagging sales. As a side note to running an art business, I attended a workshop on how to do better on the business side of art, like pricing work, and projecting a friendlier, attentive demeanor when selling at arts & crafts fairs. It was put together for Alaskan Native artists by the First Peoples Fund; they help out indiginous artists internationally when it comes to the business aspect of living the life of an artist.
Three more 12″ Tiles for an Alaskan Native Corporation Building. It takes a couple of weeks to get the design drawn, cut, glued, pressed into clay, bisqued, waxed, glazed, and glaze fired. Two more tiles are drying on wire racks and two more designs are ready to print. I’ve been reading up on myths and folk tales from the Northwest area of Alaska, and there is quite a bit out there.
Been thinking of arts & crafts shows outside of Alaska to attend in 2013. Applied to NorthWest Art Alliance show in Seattle March 23 & 24, Old Towne in Chicago June 8 & 9, and the Moravian Tile Festival north of Philadelphia in late May. The only show that I’m sure of is the 57th Street Fare in Chicago June 1 & 2, since they allow an artist to attend for four years once you are accepted, and this will be my fourth year there. The 57th Street Fare is in Obama’s old neighborhood. Cool, eh?