6″ x 6″ x 3/8″ Musk Ox, $75
Collagraph print on Cook Inlet glacial clay, multiglaze, cone 6 oxidation.
There’s a musk ox farm in Palmer, north of Anchorage, and there are musk ox at the Anchorage zoo. The wool is collected from musk ox and is made into really warm items like scarves and hats, it’s called kiviut and it is super expensive. My iphone dictionary says musk ox are in Canada and Greenland, but we have them in Alaska too.
6″ x 6″ x 3/8″ Loon, $75
Collagraph printed on Cook Inlet Glacial clay, multiglazed, cone 6 oxidation.
Our black spruce, called bog spruce are kind of thin looking and occasionally, a branch will jut out at the top. A loon use to nest on a lake where I walk my dog, but the increase in the number of dog walkers has driven it away. Good thing there are plenty of other waterfowl and beavers still in the lake. Did I mention that the lake is like in the center of town, and that I see moose there several times a week also. Ok, maybe I’m bragging now, but I love Anchorage.
6″ x 6″ x 3/8″ Halibut Man, $75
X-ray style shaman in his animal spirit form, the halibut.
Collagraph print onto Cook Inlet glacial clay and oxidation fired to cone 6. I use mat boards with cut out designs to impress images into clay, a raised inked line is waxed and acts as a separator to the different glazes.
4″ x 4″ x 3/8″ Caribou, multiglaze, cone 6 oxidation, Cook Inlet glacier clay. Hand printed from a collagraph plate. Done in the x-ray style common to the coastal peoples of Alaska.
Sea mammals were the main food staple of my mother’s village of Point Hope, but caribou were important too. I like the old style parka were the caribou skin is worn so the fur is on the inside and the hide on the outside.
Ceramic shards have been escavated from Point Hope that show a ceramics tradition dating back about 5,000 years. The last Inupiaq to build ceramic pit fired pots died in the 1880’s and the tradition was lost. I couldn’t get into a native Alaskan arts sales event because the jurors told me my art wasn’t original to Alaska. The native heritage center had a talk with the jurors and after missing out for two years, they let me in. Crazy, I’m registered with the state as an Alaskan native artist, dig up and process my own local clay, and still run into people who say my art isn’t authentic. Oh well.
4″ x 4″ x 3/8″, Birch leaves, unglazed natural Cook Inlet glacial clay, slip, mason stains, cone 6 oxidation.
$30.
Six-inch Maple leaf and seed pod impression on Cook Inlet glacier clay, white slip, brown spray and brush, mason stains, clear glaze, cone 6 oxidation.
Alaska doesn’t currently have maple trees or other hardwood trees. It did before the most resent glacial ice age, but the glaciers took out all of the state’s trees except the willow. Many trees have returned since the receding of the ice caps, though not the hardwoods, yet. Maples will grow if you plant them, just not propagate. This impression is from a leaf down the block where I live in Anchorage Alaska.
$70
Three Wolves
6″ x 6″ x 3/8″, Cook Inlet glacier clay, multiglaze, cone 6 oxidation.
$75
Four separate leaf impressions, each 4″ x 4″ x 3/8″ on Cook Inlet glacier clay with crystalline glazes. Cone 6 oxidation. I pick the leaves from the local dog park in Anchorage where I walk our American bull dog. The leaves are set on a square matte board and a firm, but still pliable, slab of clay is laid on top. Both are run through my old fashion etching press. It’s amazing how much detail the clay retains of the leaf, even the veins show up.
$30 per 4″ tile.