Array of four-inch tiles, halibut and ginkgo, multiglaze, $35 each
These are the newest designs and the plates are made from 300-lb. cotton rag etching paper on matte board. The paper is thicker than what is usually used to make the plate, but it helps keep the glaze colors separate a little better than the 140-lb. paper. The stem of the ginkgo leaf is nice and thin plus the width of the stem and leaf outline is varied, kind of like calligraphy writing. With the thicker paper, the stem won’t get covered up by glaze when the tile is fired.
I’m going to make a six-inch tile with a halibut next. The halibut will be as big as the boat of the fisherman. The size is exaggerated, but not by much. Halibut can get up to nearly 400 pounds.
Stamps used to impress images into the back of the tile.
Back of the tile:
Silver Hand Artist
Aug 14 2013
“Stamps: swan/fish, fish, star, fish, and fox”
Cook Inlet Glacier Clay
The “Silver Hand Artist” means I’m registered with the state of Alaska as a aboriginal artist. Vitrified means the tile won’t absorb water and the tile is good for wet or outdoor use if a person wanted to use the tile in a shower stall or outside in a garden. My last name is pronounced “mile” as the “igh” rule makes the “gh” part silent; it’s old English and back then the language was more gutteral and it sounded more like Michael and is actually a variation of that name when applied to the arch-angel. I make my own tile clay body and the major component comes from the mud flats next to Anchorage. The material is the surrounding mountains that were ground up by the glaciers.
Made new halibut and gingko leaf plates and will post the resulting tiles next week.
Array of four-inch leaf impressions, $30 each
The names listed under the images go clockwise starting at the upper left.
It was a very wet rainy weekend at the Anchorage Market yet sales were better than the week before. You can never tell specifically which weekends will be good, but generally, July is better than either June or August and those two months are better than May and September.
I got my ticket to Seattle for the October 4 & 5 “Artisan Tile of the Northwest” show in Seattle at the University of Washington Horticultural Center. One would think that plants would do well there, but in my case, the native Alaska themed designs do better. Fortunately, I can stay at a sister-in-law’s house near the University. Every little bit helps in keeping the expenses down.
I am in a print exchange with other printmakers from nine other countries that are part of the migratory route of shorebirds that migrate back and forth between Alaska and New Zealand. Some of the prints will actually go, as is, through the mail so they can show some wear and tear of a similar journey as the birds. It’s nice to get involved with a printmaking project, especially when most of my time is taken up by the tile business. Though technically, my tiles are hand pulled prints that happen to be on clay instead of paper.
The new scanner is up and running. Thought I’d try posting a few images at one time and in a larger image size since internet access is getting faster. All these tiles were run through the etching press on July 23 and fired on July 31. All were tiles that were sold out at my vendors booth at the weekend market in Anchorage. And since making these tiles, other designs have sold out. It is near impossible to keep up during the height of the season!
I was at the Alaska Native Heritage Center yesterday and a large bull moose got into the grounds even though the area is fenced off. It stayed in the shallow lake in the center of the culture walk and put on quite a show for hundreds of visitors that lined the shores taking pictures.