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Berry Picking

Berry Picking
Picking Blue Berries

Twelve-inch Tile, $350, Collagraph impression on Cook Inlet Glacier Clay, multiglazed, Cone 6 oxidation.

Berry Picking in Alaska. A favorite pasttime for many. The birchbark baskets are in a style found in the Northwest around the Kotzebue sound area.

Adding a bit of folk lore to the tile, on the upper part are the hare as the sun and the fox as the moon, and they are in an ongoing chase. That is why night follows day.

I got invited to the Best of the Northwest Art and Fine Craft Show in Seattle on March 23 & 24. Fun. The economy is on the mend and I did well in Seattle at a tile show last Fall, so I thought I’d try some other shows in the lower 48 (what people in Alaska call the rest of the U.S., except Hawaii.)

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Cut Out For Collagraph Plate

Cut Out Process
Cut Out Process

The last few posts had blurry pictures. I cleaned the lens on the iphone and this picture looks better. Anyway, This is a partial cut out of the 140 lb. cotton rag paper that will be used to make a plate. A collagraph plate is a printmaking term for a process where you just glue stuff to a stiff surface and then use it as a plate. I use a light table to transfer the initial drawing onto the 140 lb paper and then to cut the images out. Notice the “Arches Huile France” water mark on the lower left side of the paper. The plate is thirteen-inches square so that the final fired size of the tile will be twelve-inches after shrinkage. The fish with the zigzags are chum salmon, the fish below are white fish. The smaller caribou make up the upper edge of a birch bark basket.

I can’t complain about 2012! I love to travel and got to go a lot of places. Went to Chicago, Fairbanks, and Seattle for tile related shows. Then Seattle again for a ceramics conference. I Went once again to the Shakespeare Festival in Ashland Oregon for an end-of-season vacation. And the big one was when me and my sweetheart went to Spain and Portugal.

Tile sales slacked a bit compared to 2011, but I had two winter commissions that more than made up for sagging sales. As a side note to running an art business, I attended a workshop on how to do better on the business side of art, like pricing work, and projecting a friendlier, attentive demeanor when selling at arts & crafts fairs. It was put together for Alaskan Native artists by the First Peoples Fund; they help out indiginous artists internationally when it comes to the business aspect of living the life of an artist.